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ITA on screen: Ibsen House

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ITA on screen
13 Dec '22

ITA on screen: Ibsen House

ITA-ensemble / Simon Stone
ITA on screen: Ibsen House
13 Dec '22
ITA-ensemble / Simon Stone

After the success of the ITALive livestreams, we are expanding the offer with ITA on screen. Registrations of livestreams on the big screen in one of ITA's halls.

‘Spectacularly designed and thrilling family epic with delightful actors’ - Trouw ★★★★

Based on Ibsen, Simon Stone wrote and directed a grand family saga about the troublesome but inevitable coexistence of different generations under one roof. Maarten Heijmans received the Arlecchino (best male performance in a supporting role) for his portrayal of Sebastiaan.

Duration 3 hours and 35 minutes, with one intermission
Genre theatre
Language Dutch, with English subtitles

ITA on screen


After the success of the ITALive livestreams, we are expanding the offer with ITA on screen. Registrations of livestreams on the big screen in one of ITA's halls. In February, during Brandhaarden festival, Who Killed My Father and The End of Eddy were shown in the Rabozaal. This fall, in addition to Ibsen House by the ITA ensemble / Simon Stonewe will also be showing Mist by Nederlands Dans Theater 1 / Damien Jalet / Kohei Nawa / Rahi Rezvani, Le Tartuffe ou l'Hypocrite by Comédie-Française / Ivo van Hove and La Reprise. Histoire(s) du théâtre (I) by IIPM / NTGent / Milo Rau.

MORE ITA ON SCREEN

Simon Stone about Ibsen House

‘The more I read Ibsen’s plays, the more I see that characters recur. Although they have different names, they bear the same features. Like they are cousins, sisters, daughters, sons of a single character, once imagined by Ibsen. The young, idealistic dreamer; the bankrupt industrialist, fighting for his legacy; the woman who is stronger than her husband, searching for meaning; the man who is haunted by his father’s actions throughout his life; the couple whose relationship falls apart into a chaos of sex, death and mutual accusation.
In Ibsen house, I process this material into a story about different generations in one house. The rooms in this house are places of trauma and confrontation, but also of joyful memory. The house harbours the memory of each chapter from this family’s history in the way it jumps from one masterpiece by Ibsen to another. His entire work is permeated with a deep insight into families in times of crisis. Into wounds that do not heal. It is about how we struggle to be able to go on. About how we attempt to feel normal again after things have been far from normal for far too long.’

ITA on screen: Ibsen House


After his stagings of an entirely contemporary Medea and Husbands and wives by Woody Allen, Simon Stone falls back on Ibsen. He already caused much ado internationally with his quirky adaptation of The wild duck, which was performed a few years ago at the Holland Festival. That adaptation was the starting point for Stone’s first and much-praised feature film The Daughter (2016). For Ibsen house, Stone used several of the Norwegian playwright’s less well-known plays.

At the centre of the play, there is the holiday home designed by renowned architect Cees Kerkman, where the various family members meet each other at crucial moments in their lives. We watch the family from 1964, when the house is being built, until 2016, when it finally goes up in flames. As is traditional with Ibsen, there are quite a few secrets and traumas that have a fatal influence on the lives of the different generations. An intriguing game of repression, lies and reckonings emerges, with the house as the only witness to the entire family tragedy.

Stone has absorbed Ibsen completely and wrote an entirely new play in close dialogue with the ensemble. ‘Rehearsing and writing are both one uninterrupted dialogue with the actors and contributors. -|-The most important thing is to continuously find out more about the characters, so they become complex and genuine, but also as playful and humorous as possible.’

In non-chronological order, he reconstructs the crucial scenes from the family album. In his staging, he looks for a form of hyperrealism where the actors constantly talk over each other and a sense of realistic time is created. His approach shows his passion for film. The revolving house enables him to alternate between scenes and periods, but also to constantly change the visual setting. Stone enjoys welcoming coincidence into his rehearsal process and using theatrical means in a way that generates great authenticity. Catching life’s complexity and banality is what he is continuously striving for.

In his dialogues, deep tragedy and humour alternate at a fast pace in a story about a family that tries to leave the past behind, but keeps repeating the mistakes of the previous generations.

CAST

Language NP Language no problem Hélène Devos Hélène Devos
Language NP Language no problem Janni Goslinga Janni Goslinga
Language NP Language no problem Aus Greidanus jr. Aus Greidanus jr.
Language NP Language no problem Maarten Heijmans Maarten Heijmans
Language NP Language no problem Eva Zoë Heijnen Eva Zoë Heijnen
Language NP Language no problem Hans Kesting Hans Kesting
Language NP Language no problem Bart Klever Bart Klever
Language NP Language no problem Maria Kraakman Maria Kraakman
Language NP Language no problem Celia Nufaar Celia Nufaar
Language NP Language no problem David Roos David Roos
Language NP Language no problem Bart Slegers Bart Slegers
Fleur, Lena (young)
Caroline (adult)
Daniël, Arthur, Lena’s ex
Sebastiaan (adult), Jacob (young), journalist
Caroline (young), Pip
Cees, Vincent
Thomas, Daniël (old)
Johanna, Lena (adult)
Frédérique, Johanna (old)
Sebastiaan (young)
Jacob, alderman

REVIEWS

Parool

'Stone delivers an intriguing and rich adaptation of the Norwegian playwright’s work. (...) the acting is infallible, with no exceptions (...) Ibsen house forces itself on current affairs and digs its nails in deeply.'

Leidsch Dagblad

’Ibsen house is a compelling play that not only succeeds in grabbing people’s attention for the full four hours, but is also genuinely moving.(...) beautiful, intense role by Hans Kesting, who heartbreakingly portrays the old and senile Cees (...) A large group of actors gives shape to this intense family drama. And every single one of them excels. Janni Goslinga delivers a surprising performance as the wild daughter addicted to drugs and liquor. Claire Bender plays the layered character of daughter Lena. Maria Kraakman is – after much misery – an extinguished older Lena, wiser and sadder, and is also impressive as Johanna, Kerkman’s wife, with her silent forcelessness. And Maarten Heijmans is able to move the audience to tears as the grown-up son Sebastiaan. (...) An absolute top performance.'

Trouw

‘Spectacularly designed and thrilling family epic with delightful actors’

Libération

'le séquençage digne des meilleures séries de HBO'

PROGRAM BROCHURE

Read more about the text, direction and the scenography of this performance in our digital program brochure.

TO THE BROCHURE
Simon Stone
Director
Simon Stone

Australian director, actor and writer Simon Stone (1984) is one of the most acclaimed theatre-makers in the international circuit.

In season 21|22 his directing of Flight 49, Medea and Ibsen house will be reprised at ITA.

View Profile

Credits


written and directed by Simon Stone
after Henrik Ibsen
translation, dramaturge Peter Van Kraaij
scenographer Lizzie Clachan
light design James Farncombe
music Stefan Gregory
costumes An D'Huys
assistant director Boris Kip, Nina de la Parra
assistant scenographer Bart Van Merode
costume design assistant Fauve Ryckebusch
casting advice Hans Kemna
private producer Gert-Jan en Corinne van den Bergh
head of technical staff Reyer Meeter
head of artistic bureau Ulrike Bürger-Bruijs
production Michiel van Schijndel, Edith den Hamer
technical manager Kevin Cuyvers
technical staff Sander van Elteren, Zinzi Kemper, Berend van Leer (stagiaire), David Logger, Timo Merkies, Carlo Micali, Manon van den Nouland, Stephan Pot, Dennis van Scheppingen, Erwin Sterk, Chris Tijsmans, Paul van der Zouwe
-|-

hair & grime department David Verswijveren
head of costume department Wim van Vliet (head), Farida Bouhbouh, Claudia Pellegrini
photography Jan Versweyveld
graphic design Sara Fortuin, studio ITA
publicity Joris van den Ring-Bax
with thanks to Nesoptiek
powered by Clifford Chance

livestream director Reinier Bruijne
creative producer Wouter van Ransbeek
theatre director livestream Ivo van Hove
executive producer Ulrike Bürger-Bruijs
operational production manager Peter Hazenberg
production video Mark Thewessen
system technician Alex de Gier
assistant director Wendy Tames
live shading and colouring Lennert Prins
1st camera Ramon de Boer
camera Marjolein Hoitinga, Wim Adam, Marijn Zurburg
camera assistant Dennis van Tol, Lisanne Boon
sound engineer Erwin Sterk
live stream engineer Genes Peters

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Performance tour through the vertical city

During OFF VENUE dance comes alive in relation to the city. Hop on your bike for a dance route along surprising locations and see Amsterdam in a new way thanks to the performance interventions of adventurous dance makers.
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Performance tour through the vertical city

During OFF VENUE dance comes alive in relation to the city. Hop on your bike for a dance route along surprising locations and see Amsterdam in a new way thanks to the performance interventions of adventurous dance makers.
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Performance tour through the vertical city

During OFF VENUE dance comes alive in relation to the city. Hop on your bike for a dance route along surprising locations and see Amsterdam in a new way thanks to the performance interventions of adventurous dance makers.
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Performance tour through the vertical city

During OFF VENUE dance comes alive in relation to the city. Hop on your bike for a dance route along surprising locations and see Amsterdam in a new way thanks to the performance interventions of adventurous dance makers.
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Performance tour through the vertical city

During OFF VENUE dance comes alive in relation to the city. Hop on your bike for a dance route along surprising locations and see Amsterdam in a new way thanks to the performance interventions of adventurous dance makers.
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Performance tour through the vertical city

During OFF VENUE dance comes alive in relation to the city. Hop on your bike for a dance route along surprising locations and see Amsterdam in a new way thanks to the performance interventions of adventurous dance makers.
Language NP Language no problem Julidans x WhyNot: OFF VENUE: Tour C (start Van Beuningenplein) Julidans x WhyNot Dance Julidans x WhyNot: OFF VENUE: Tour C (start Van Beuningenplein)
Close Julidans x WhyNot: OFF VENUE: Tour C (start Van Beuningenplein) Julidans x WhyNot
Performance tour through the vertical city

During OFF VENUE dance comes alive in relation to the city. Hop on your bike for a dance route along surprising locations and see Amsterdam in a new way thanks to the performance interventions of adventurous dance makers.
Language NP Language no problem HISSY FIT Christian Guerematchi (SI/NL) Dance HISSY FIT
Close HISSY FIT Christian Guerematchi (SI/NL)
Three black bodies get into a ‘hissy fit’ to drill music: an outburst of ‘black rage’
Language NP Language no problem The Lion's Den Sabina Bocková & Johana Pocková (CZ) / POCKETART Dance The Lion's Den
Close The Lion's Den Sabina Bocková & Johana Pocková (CZ) / POCKETART
To manipulate or to be manipulated, that is the question in a pulsating choreography full of meanings but with a light touch.
Language NP Language no problem Sign of the Times Internationaal Theater Amsterdam / De Balie Perspective programmes Sign of the Times
Close Sign of the Times Internationaal Theater Amsterdam / De Balie
14 Feb '23
In the programme series Sign of the Times, Internationaal Theater Amsterdam and debate centre De Balie link performances by the ITA ensemble to today's major social themes in a unique combination of theatre and conversation.
Language NP Language no problem ITA on screen: Le Tartuffe ou l’Hypocrite Comédie-Française / Ivo van Hove Film ITA on screen: Le Tartuffe ou l’Hypocrite
Close ITA on screen: Le Tartuffe ou l’Hypocrite Comédie-Française / Ivo van Hove
On the occasion of Molière's 400th birthday, van Hove created Le Tartuffe ou l'Hypocrite, the original version in 3 acts, which after its premiere in 1664 was banned by the king himself under great pressure from the Catholic Church.
Language NP Language no problem ITA on screen: La Reprise - Histoire(s) du théâtre (I) IIPM / NTGent / Création Studio Théâtre National Wallonie-Bruxelles / Milo Rau Film ITA on screen: La Reprise - Histoire(s) du théâtre (I)
Close ITA on screen: La Reprise - Histoire(s) du théâtre (I) IIPM / NTGent / Création Studio Théâtre National Wallonie-Bruxelles / Milo Rau
Liege, April 2012. Ihsane Jarfi, Muslim and gay, is tortured and murdered. The crime shakes the whole city. Milo Rau reconstructs the murder on stage.

'Stronger than a monument to the dead.' - Hassan Jarfi, the father of the victim.
Language NP Language no problem ITA on screen: Ibsen HouseITA–EnsembleFilm ITA on screen: Ibsen House
Close ITA on screen: Ibsen House ITA-ensemble / Simon Stone
13 Dec '22
Based on Ibsen, Simon Stone writes and directs a grand family epic about the troublesome but inevitable coexistence of different generations under one roof.
Language NP Language no problem Sign of the Times: Connie Palmen & Hans Achterhuis Internationaal Theater Amsterdam / De Balie Perspective programmes Sign of the Times: Connie Palmen & Hans Achterhuis
Close Sign of the Times: Connie Palmen & Hans Achterhuis Internationaal Theater Amsterdam / De Balie
In the programme series Sign of the Times, Internationaal Theater Amsterdam and debate centre De Balie link performances by the ITA ensemble to today's major social themes in a unique combination of theatre and conversation.

MORE ITA-ENSEMBLE

Language NP Language no problem age of rage
ITA–EnsembleTheater age of rage
Close age of rage ITA -ensemble / Holland Festival / Bl!indman / La Villette / the Barbican / Ivo van Hove
02 Dec '22 to 11 Dec '22
In Age of Rage, Ivo van Hove tells a primeval story of how revenge haunts and destroys successive generations. This performance is in line with earlier large-scale social productions such as Roman tragedies and Kings of War.
Language NP Language no problem ITA on screen: Ibsen HouseITA–EnsembleFilm ITA on screen: Ibsen House
Close ITA on screen: Ibsen House ITA-ensemble / Simon Stone
13 Dec '22
Based on Ibsen, Simon Stone writes and directs a grand family epic about the troublesome but inevitable coexistence of different generations under one roof.
Language NP Language no problem Lehman Trilogy
ITA–EnsembleTheater Lehman Trilogy
Close Lehman Trilogy ITA-ensemble / Guy Cassiers
26 Oct '22 to 23 Dec '22
Slavery and industrialisation, war and new technological developments: no matter what is happening in America and even worldwide, the Lehmans always know how to make good money from it.
Language NP Language no problem Battles and metamorphoses of a woman
on Tour
ITA–EnsembleTheater Battles and metamorphoses of a woman
Close Battles and metamorphoses of a woman ITA-ensemble / Ivo van Hove
13 Sep '22 to 21 Dec '22
One day, Édouard Louis stumbles upon a photograph of his mother when she was 20 years old. A happy young woman full of hope, full of dreams. But he himself only knows his mother as totally unhappy, trapped in a routine life as a housewife.
Language NP Language no problem The Hours
ITA–EnsembleTheater The Hours
Close The Hours ITA-ensemble / Eline Arbo
Eline Arbo brings De uren (The hours), the novel by Michael Cunningham, to the stage.
Language NP Language no problem The year of cancerITA–EnsembleTheater The year of cancer
Close The year of cancer ITA-ensemble / Luk Perceval
04 Jan '23 to 14 Jan '23
The year of cancer is one of director Luk Perceval’s favorite novels. The balance between big emotions and banality, between tense expectations and daily burdens form the basis of his reading.
Language NP Language no problem My Heavenly FavouriteITA–EnsembleTheater My Heavenly Favourite
Close My Heavenly Favourite ITA-ensemble / Ivo van Hove
11 Jan '23 to 03 Jun '23
Ivo van Hove is the first director to adapt this heartbreaking and at the same time terrifying novel for the stage.
Language NP Language no problem The Magic MountainITA–EnsembleTheater The Magic Mountain
Close The Magic Mountain ITA-ensemble / Stef Aerts, Marie Vinck (FC Bergman)
Young Hans Castorp goes to a sanatorium in Davos, Switzerland, to visit his cousin. He plans to spend 3 weeks with him there, but will end up staying for 7 years. He meets a collection of eccentric figures. Through these encounters he slowly acquires a layered image of contradicting views on life.
Language NP Language no problem a little life
on Tour
ITA–EnsembleTheater a little life
Close a little life ITA-ensemble / Ivo van Hove
03 Mar '23 to 08 Mar '23
No novel has captivated and moved millions of readers during the past few years like A little life by American author Hanya Yanagihara.
Language NP Language no problem Blood WeddingITA–EnsembleTheater Blood Wedding
Close Blood Wedding ITA-ensemble / Wim Vandekeybus
29 Mar '23 to 15 Apr '23
Driven by an indestructible love, the bride and her lover run off during the party. A savage manhunt is launched. The outcome is fatal.
Language NP Language no problem Birds of a KindITA–EnsembleTheater Birds of a Kind
Close Birds of a Kind ITA-ensemble / Alize Zandwijk
04 Apr '23 to 22 Apr '23
When the German-Jewish Eitan and the American-Arab Wahida happen to meet in the library of New York, they fall in love instantly. But is their relationship likely to succeed against the backdrop of the decades-long Israeli-Arab conflict?
Language NP Language no problem kings of warITA–EnsembleTheater kings of war
Close kings of war ITA-ensemble / Ivo van Hove
26 Apr '23 to 06 May '23
In Kings of war Ivo van Hove merges William Shakespeare's plays Henry V, Henry VI and Richard III into one explosive performance about leadership.