Afther the Rehearsal / Persona
Van Hove has built a long and intense relationship with Bergman’s oeuvre as a director, which in the past resulted in the productions Scenes from a Marriage (2005) and Cries and Whispers (2009). With the diptych After the Rehearsal / Persona he continues his study of the Swedish film and theatre maker. Both scripts walk the thin line between imagination and reality, illness and normality. Both explore the meaning of art in our lives and in society. As always, Ingmar Bergman does this with great personal intensity and humanity. Uncompromising and compassionate.
duration 2 h 50min, incl. 1 intermission
premiere 06 Dec 2012
Hong Kong - China
5, 6 & 7 mar 2020
About the plays
In After the Rehearsal director Hendrik Vogler organises his life within the confines of the rehearsal space. His life is completely enveloped by his work. The rehearsals are like notes in his personal diary, and the performances form his autobiography. Everything is submitted to his imagination and control. Yet it becomes apparent that life and reality cannot be kept at bay after all. Love, birth, decay and death seep into his bastion in the shape of Anna and Rachel, who appeal to him as an artist and a human being.
In Persona an actress stops playing. In her mind a short circuit occurs between the roles she plays in real life, and the ones she plays on stage. The role of motherhood poses her with insurmountable problems and destroys her self-image. Again, life (pregnancy and birth) tears someone away from the controlled role play of the theatre. Her struggle with other people’s expectations and the deep crisis that ensues also force the doctor and nurse who take care of her out of the safe reaches of their conventional lives.
'Passion is messy, and passion is what we were witnessing on Thursday night at the 23rd Street Armory, both in the audience — where theatergoers sat for nearly three hours, wielding hand-held fans against the roasting heat — and onstage, where the superb actors of Ivo van Hove’s Toneelgroep Amsterdam banished every last remnant of Ingmar Bergman’s perpetual chill from a pair of plays about art, delusion and the ravages of devotion.' - The New York Times
‘The actors work miracles here’ - De Morgen *****
‘A harrowing, lifelike performance’ - de Volkskrant *****
'une mise en scène splendide' - Télérama
Ivo van Hove has been director of Internationaal Theater Amsterdam since 2001.
In season 19|20, he will be directing Freud (coproduction FC Bergman) and Who killed my father (Edouard Louis) and his productions A little life, Death in Venice, After the rehearsal / Persona, La voix humaine, Kings of war and Roman Tragedies will be reprised.
Van Hove about After the rehearsals / Persona
‘Two short pieces about the meaning of theatre and art in our lives and our society. As is fitting for great master Ingrid Bergman, he doesn’t adopt a moralising approach, but invests his work with much attention to and insights into mankind in all its matchless complexity. Touching but harsh at the same time. The first case is about someone who lives wholly for and inside art, while the second case is about someone who brings its importance up for discussion. It is precisely in these times, in which we are continually debating the importance of art in society, and find ourselves having to defend this importance more and more often, that I find that highly interesting both personally and as a theatre maker.’
from Ingmar Bergman
translation Karst Woudstra
translation, dramaturge Peter Van Kraaij
scenographer, light design Jan Versweyveld
sound design Roeland Fernhout
costumes An D'Huys
casting advice Hans Kemna
coproducer Les Théâtres de la Ville de Luxembourg, Maison des arts de Créteil, Théâtre de la place
head of technique & production department Wolf-Götz Schwörer
publicity Joris van den Ring-Bax
with thanks agnès b. , Nesoptiek, Kitty Courbois