Porca Miseria 2 - The Deathbed of Katharine Dunham

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Porca Miseria 2 - The Deathbed of Katharine Dunham

Trajal Harrel

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Porca Miseria 2 - The Deathbed of Katharine Dunham
Trajal Harrel
€ 12

Contemporary dance, voguing, Japanese butoh, ancient Greek theatre, performance art – the American choreographer Trajal Harrell conjures up his elegant, subtle vocabulary from the influence of a wide range of genres.

start: 18:00
duration 2 hours 30 minutes (continuous performance, free to go in and out)
hall Rabozaal
introduction 17:30
world premiere Zürich, 28 march 2020

He bases his major new trilogy Porca Miseria on the stories and battles of three very different, but equally strong women: Maggie from Tennessee Williams’ Cat on a Hot Tin Roof, the African-American choreographer and activist Katherine Dunham, and the Greek mythological Medea. Through them he explores issues of identity, gender, sexuality and power in a compelling way, breaking the boundaries between dance, theatre and the visual arts. The first and last parts can be seen in a theatre setting, while the middle part is as much art installation as performance piece.

part 2: The Deathbed of Katherine Dunham
The second part of Porca Miseria is inspired by a meeting between Harrell and African American choreographer Katherine Dunham (1909-2006) when she was on her deathbed in New York. Dunham was both a dance legend and a civil-rights activist who staged a hunger strike at age 82 in support of refugees. Part two of Porca Miseria is based on this encounter and all the questions he didn’t get to ask her. Harrell explores the boundaries between dance, theatre and visual arts – it’s equal parts installation and performance, and the audience is free to move around the space.

Credits

dramaturgy Sara Jansen
dance Trajal Harrell, Titilayo Adebayo, Helen Boyd Auerbach, Frances Chiaverini, Rob Fordeyn, Challenge Gumbodete, Christopher Matthews, Nasheeka Nedsreal, Tiran Normanson, Perle Palombe, Songhay Toldon, Ondrej Vidlar
direction, choreography, costumes, co-set design, sound Trajal Harrell
co-set design Erik Flatmo
light Stéfane Perraud
production Manchester International Festival
commissioned by Manchester International Festival, Schauspielhaus Zürich, ONASSIS STEGI, Kampnagel, Holland Festival, the Barbican and Dance Umbrella, NYU Skirball, Berliner Festspiele and The Arts Centre at NYU Abu Dhabi



Sponsored by

Ministerie van OC&W
Gemeente Amsterdam
Amodo
Fonds 21

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