Michael Muller
Michael Muller (1990) graduated from the Toneelschool Arnhem in 2018 with the performance De Lange Nasleep Van Een Korte Mededeling (The Long Aftermath of a Short Announcement), directed by Maria Kraakman.
After graduating, he appeared in productions including Het Achtste Leven (Theater Oostpool), Orlando (Toneelschuur Producties), Romeo & Julia (Theater Oostpool), Het Leven Zelf (Toneelschuur Producties), HAAT (Theater Rotterdam) and Kasimir & Karoline (Toneelschuur Producties).
In season 25/26, Muller can be seen at ITA in the revival of The Laws.
CV
Michael Muller began his acting career at a young age at the Jeugdtheater Hofplein and also performed in various productions such as Elisabeth, Kunt u mij de weg naar Hamelen vertellen, meneer? and Pietje Bell. At the age of 17, he began his first course at the Institute for Performing Arts, where he further developed his singing and dancing talents. While still a student, he appeared in Andre van Duin's Nieuwe Revue and performed in Urinetown by M-lab. Urinetown was awarded the John Kraaijkamp Award for “Best Small Musical”. He later also performed in the M-Lab productions The Wild Party and Ja Zanna, Nee Zanna.
After his second degree at the Toneelschool Arnhem, he appeared in productions such as Het Achtste Leven (Theater Oostpool), Orlando (Toneelschuur Producties), Romeo & Julia (Theater Oostpool), Het Leven Zelf (Toneelschuur Producties), HAAT (Theater Rotterdam) and Kasimir & Karoline (Toneelschuur Producties).
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Muller made his film debut in the male lead role in 170 Hz, Joost van Ginkel's feature film debut. 170 Hz was awarded a Gouden Kalf for “Best Film”. He has also appeared in various films and series, including the Netflix Original Series Dirty Lines, the television film Wheelie, directed by Isis Mihrimah Cabolet, and the short films Where We Stay, Gleuf and Il Fait Beau. Where We Stay and Gleuf both premiered at the Palm Springs International Film Festival. Il Fait Beau premiered at the Tribeca Film Festival.
Photo: Isabel Sànchez Olid