Every-Body-Knows-What-Tomorrow-Brings-And-We-All-Know-What-Happened-Yesterday
In his latest solo, Mohamed Toukabri, an extraordinary voice in contemporary dance, delves into the nexus between personal and collective histories. He uses motion as a search for not only his own past, but also the collectively shared history. At the same time, it is an act of resistance in a postcolonial world: who is allowed to move and why?
Festival Julidans
Programme section Julidans On Stage
Location Podium Mozaïek
Run time tba
Language Language no problem
Avant-première
Everybody Knows What Tomorrow Brings And We All Know What Happened Yesterday
With his latest solo performance, Every-Body-Knows-What-Tomorrow-Brings-And-We-All-Know-What-Happened-Yesterday, Mohamed Toukabri explores a new terrain, where everything is on the table and possible. Known for his unique ability to switch between worlds - from street to stage, from hip-hop to postmodernism, from personal to political - he now turns his sharp choreographic gaze to the essence of dance itself.
In his solo, Toukabri dissects the hierarchies in our bodies and asks: who is allowed to move in which way, and why? The piece creates a space where dance traditions enter into dialogue, with styles once considered ‘inferior’ joining the classical canon on stage. This is not a fusion, but friction as well as coexistence. A reinvention of the rulebook of dancing, live on stage.
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The title Every-Body-Knows-What-Tomorrow-Brings-And-We-All-Know-What-Happened-Yesterday is both a provocation and a reference: history is always with us, and the choices we make today determine tomorrow's dance. The piece invites the audience to think together about what we pass on, erase or preserve. And to become part of a movement in which identity, heritage and future come together.
More about Mohamed Toukabri
Mohamed Toukabri's work is personal, yet touches on universal themes. Growing up in Tunisia, he began as a breakdancer, known as the best headspinner in Tunis. He evolved through classical and contemporary dance, studied at the dance school P.A.R.T.S in Brussels, and performed with choreographers such as Sidi Larbi Cherkaoui and Anne Teresa De Keersmaeker. Since 2018, he has been creating his own work.
In his first solo, The Upside Down Man, Mohamed Toukabri embarks on a symbolic journey, presenting the ‘upside down man’ as a figure who twists free—both literally and figuratively—from the established order. In a later performance, also featured at Julidans, The Power (of) The Fragile, he performed a duet with his mother: a moving exploration of the parent-child relationship through movement.
Credits
creation and performance Mohamed Toukabri
dramaturgy Eva Blaute
costume Magali Grégoir
text Essia Jaibi
scenography Stef Stessel
light design Stef Stessel
light Matthieu Vergez
sound design DEBO Collective
external eye Radouan Mriziga
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coproduction Needcompany, VIERNULVIER, Charleroi Danse – Centre chorégraphique de Wallonie-Bruxelles, STUK, Théâtre Les Tanneurs, Concertgebouw Brugge, Beursschouwburg, Perpodium
executive production Caravan Production
residencies Corso, Le Gymnase CDCN, Les Bancs Publics – Festival Les Rencontres à l’échelle, Studio THOR, Needcompany, Théâtre Les Tanneurs
with the support of the Flemish authorities, the Flemish Community Commission, and the tax shelter system of the Belgian federal government via Cronos Invest
