Gundhi
After their German-language debut Der Bus nach Dachau was selected for the prestigious Berliner Theatertreffen, Schauspielhaus Bochum invited De Warme Winkel again to spark a fuse in the German powder keg. After the German performance series, Gundhi, with a new Dutch cast, embarks on a tour through the Netherlands and Flanders.
Run time 110 minutes
Genre Theatre
Language Dutch
Premiere Thu, March 19
Aftertalk Fri, March 20
Gundhi
An armed yoga group, after their daily Kalashnikov-asana, holds a mirror up to their radicalized international following: can we achieve our ideals without the use of weapons? In a time when even NATO countries do not rule out the use of violence to conquer territories, De Warme Winkel explores the viability of pacifism. If not for now, then perhaps for the future?
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Gandhi plays a supporting role for a change; the performance is as loosely draped around his biography as the cloths around his slender waist.
REVIEWS ABOUT DE WARME WINKEL
Het Parool
“The most exciting and consistently interesting theater group in the Netherlands.”
De Volkskrant
“The most quirky theater group imaginable.”
De Telegraaf
“A theater group that you'll hold dear forever.”
NRC
“Unmistakably highbrow, yet accessible and infectious, thanks to their humor, irony, and self-deprecation.”
Credits
concept Marieke de Zwaan, Vincent Rietveld, Ward Weemhoff
actors Marieke de Zwaan, Vincent Rietveld, Ward Weemhoff, Ibelisse Guardia Ferragutti, Vincent Riebeek, Marley Verbeem, Mante Tausk
director Vincent Riebeek
set designer Theun Mosk | Ruimtetijd
associate set designer Rients Dijkstra | Ruimtetijd
lightning concept Theun Mosk | Ruimtetijd
costumes Ginta Tinte Vasermane
sound design Lysa da Silva
deepfake software Hicham Bendriss
technical production Cedric van Daalen
production leader Joppe Kos
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stage manager Richard Bron
sound technician Gijs Teskens
lightning technique Bo van der Ham, Roy van Zon
tourmanager Bente de Bruijn
souffleur Tamár Verlinden
marketing Lisa Groot, Nynke Kimmel
co producer Schauspielhaus Bochum
with thanks to Lukas von der Luhe, Alexander Wertmann, Jing Xiang, Jasper Middendorf, Mona Vojacek Koper
with support of Amsterdam Fonds voor de Kunst, Gieskes Strijbis-Fonds, Ammodo Art, Fonds Podiumkunsten (internationalisering)