He looks like a clown, this harlequin, but he is a devil with multiple guises. 'This duo creates a monstrous satire, perfectly timed, masterfully executed.' - Danza & Danza.
Starting time 7 p.m.
In HARLEKING, Panzetti and Ticconi use the clown from traditional Italian comedy (Commedia dell'arte) to make a point about contemporary politics. Humour, pretending to be stupid or playing the clown are used to conceal more sinister motives here. The harlequin seems to be a funny character, because he makes you laugh. But he also has a devilish side, as he has always been a cheat. Something the creators recognise in the politicians of their country and in world leaders, now and in history. They follow the historical traces of the Fascists and the Nazis until today. Their history of political clowning takes shape in a play of iconic scenes and gestures from both traditional comedy and politics. From clowning to Nazi salute. While Panzetti and Ticconi vie with the best comedians with their perfect timing, their message about the dangers of populism is unmistakable and urgent.
-|-Italian dance makers Ginevra Panzetti and Enrico Ticconi have been working together for more than ten years. They literally get their inspiration from the world around them, the movements of people and groups they see on streets, in squares or at underground stations. They interweave these choreographies of everyday life with references to iconic events and characters from art and history. Thus, they appeal to our collective memory and show the different forms in which power manifests or conceals itself. HARLEKING has been performed on stages and festivals across Europe since 2018.
By and with: Ginevra Panzetti, Enrico Ticconi
Sound design: Demetrio Castellucci
Light design: Annegret Schalke
Costume: Ginevra Panzetti, Enrico Ticconi
Technical care: Paolo Tizianel
Illustrations and graphic: Ginevra Panzetti
With the support of: VAN (IT) // Tanzfabrik, Berlin (DE) // PACT Zollverein, Essen (DE) // NAOcrea - Ariella Vidach - AiEP, Milano (IT) // KommTanz - CompagniaAbbondanza/Bertoni, Rovereto (IT) // L'arboreto - Teatro Dimora, Mondaino (IT) // AtelierSì, Bologna (IT) // C.L.A.P.Spettacolodalvivo, Brescia (IT)
Further supports: Cronopios - Teatro Petrella, Longiano (IT) // Vera Stasi - Progetti per la Scena, Tuscania (IT) // Network Anticorpi XL (IT)
Julidans adheres to the corona measures in force, as drawn up by the RIVM and the central government. As long as the coronavirus is not yet under control, testing can help make more possible step by step. The national government uses access tests to facilitate social and cultural activities in a safe manner. You may also need a negative test result in addition to your entrance ticket.
In the period prior to the performance, ticket buyers will receive instructions regarding the Covid-19 access policies in effect at the time. They may get several messages, depending on whether the government policy is announced or modified. It is possible that they will receive these mails until just before the start of the performance, so please keep a close eye on your mailbox. Julidans as well as the theatres where the event is staged, may send you these mails.