Ihsane
In Arabic, the word Ihsane represents an ideal of goodness, kindness and benevolence. In Islam, it refers to a form of communion with the universe. With Ihsane, Sidi Larbi Cherkaoui continues a diptych begun within his Eastman company with Vlaemsch (chez moi), in 2022. While Vlaemsch was dedicated to his mother and his Flemish roots, Ihsane explores his relationship with his father, who left Morocco for Flanders, emigrating but always retaining – despite leaving – an unconditional love for his home country. Sidi Larbi Cherkaoui was still a teenager when his father died. Thirty years later, he searched for him in vain in a Tangier cemetery too full of graves. He continues to search for him through this creation bringing together dancers from the Ballet du Grand Théâtre de Genève and Eastman.
Dutch premiere
Run time 90 minutes
Genre Dance
Language Dutch
Ihsane
But in Belgium, Ihsane is also associated with a racist and homophobic crime that took place in Liège in 2012: a young homosexual man of 32, of Moroccan origin, beaten to death outside a nightclub. As someone who himself identifies as an artist, a queer and an Arab, Sidi Larbi Cherkaoui identifies with and pays tribute to him through this production which revisits his family story. Ihsane is a journey towards the quest for inner peace, and the attempt to transcend conflict, abandonment and forgetting. Sidi Larbi Cherkaoui dances the questions that obsess him: what do we have left when our place slips away and fades? How can multiple identities coexist in the same body?
As ever, the choreographer has assembled a unique artistic team, reflecting the effervescence and artistic vitality of this region of the world to which Sidi Larbi Cherkaoui is linked through his ancestors.
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Tunisian musician and viola d’amore virtuoso, Jasser Haj Youssef, will compose the music and perform it onstage with Moroccan singer Mohammed el Arabi Serghini and Lebanese singer Fadia Tomb El-Hage. Stage design will be from visual artist Amine Amharech, who creates sensory and sensitive spaces into which Moroccan influences are often melded, while costumes are by fashion designer Amine Bendriouich, who elevates traditional forms of Berber clothing beyond norms and gender.
With Ihsane, Sidi Larbi Cherkaoui watches fathers fall and the world change in a never-ending cycle of destruction and rebirth. He is wary of cultures when they imprison and separate individuals. He prefers geography in the making, ever-changing landscapes, and the shared space where we coexist. In this space, he reveals the invisible threads that connect us to each other.
Credits
coproducers Eastman, Théâtre du Châtelet, Paris, Les Théâtres de la Ville de Luxembourg, Tanz Köln, Internationaal Theater Amsterdam, Festspielhaus St. Pölten (AT), Grec Festival Barcelona 2025, Centre National des Arts, Ottawa
distribution choreography Sidi Larbi Cherkaoui
scenography Amine Amharech
costumes Amine Bendriouich
lights Fabiana Piccioli
music Jasser Haj Youssef
video Maxime Guislain
dramatist El Arbi El-Harti
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sound design Alexandre Dai Castaing
rehearsal director Manuel Renard
choreographic assistants Pascal Marty, Patrick Williams Seebacher (TwoFace)
musicians Jasser Haj Youssef - Viole d’Amour, Gaël Cadoux - Piano Rhodes, Yasamin Shahhosseini - Oud, Gabriele Miracle Bragantini - Percussions
singers Fadia Tomb El-Hage, Mohammed El Arabi Serghini
dancers Dancers of Ballet du Grand Théâtre de Genève & Eastman
additional credits texts from Jason Silva and Timothy Winter
