The Goldberg Variations

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Julidans
07 Jul '21 to 08 Jul '21

The Goldberg Variations

Michiel Vandevelde (BE) / Platform K
The Goldberg Variations
07 Jul '21 to 08 Jul '21
Michiel Vandevelde (BE) / Platform K
5th rank from €15.00 – 1st rank from €30.00

Choreographer Michiel Vandevelde creates The Goldberg Variations with Platform-K, a leading company for dancers with disabilities. A thoroughly democratic project about the state of dance and society. Bach's beautiful music is played live on accordion(!) by Philippe Thuriot.

Location ITA
Venue Grote Zaal
Starting time 20:30
Price 4th rank from €15.00 – 1st rank from €30.00
NL premiere

Michiel Vandevelde (BE) / Platform K
Michiel Vandevelde (BE) / Platform K

Literally democratic

Dancers Oskar Stalpaert, Michiel Vandevelde and Audrey Merilus get to work with the famous Goldberg Variations by Bach and the series of solos created to this music by dance innovator Steve Paxton in the 1980s. The choice of Paxton is not accidental. All of Vandevelde's performances are implicitly or explicitly about democracy. In the 1970s and 1980s, dance was radically renewed. Dance literally became democratic. It was freed from its classical straitjacket, rules and beauty ideals. The language of dance was opened up, everyone could participate. Vandevelde wonders what we can see of this now. And whether we can see the state of our democracy in dance.

-|-The content is also reflected in the form, both in dance and music. Just as minorities and outsiders have a voice in a true democracy, no one is excluded in Vandevelde's work. Dancer Oskar Stalpaert is a dancer with Down's syndrome. And so it is that Bach's composition is played by Philippe Thuriot on accordion. No mean feat. Thuriot: "The Goldberg Variations are extremely difficult to play on the accordion. What Bach wrote in one or two months took me two years to learn to play. Then you realise how small you are."

Julidans 2021 will also feature De Keersmaeker's version of The Goldberg Variations. In the Julidans Magazine, Annette Embrechts uses these two Goldberg Variations as the basis for an article about generations in dance and what they pass on to each other.

Michiel Vandevelde

Michiel Vandevelde studied dance and choreography at P.A.R.T.S., the dance school of Anne Teresa De Keersmaeker. He is artist in residence at the Kaaitheater in Brussels. His dance performances are a laboratory for the political imagination. In Protest 1980, for example, he put three generations of activists on stage. The Children's Parliament was a project on democracy with young people aged between 8 and 13 years. And Dances of Death is a time-travelling journey along rituals surrounding death in a search for new rites for these uncertain times.

Credits:

production Platform-K
co-production Vooruit and Kaap
choreography Michiel Vandevelde
dance Oskar Stalpaert, Michiel Vandevelde and Amanda Barrio Charmelo
music by Philippe Thuriot 
dramaturgy Kristof van Baarle
scenography by Michiel Vandevelde, with the assistance of Tom Callemin
costumes Tutia Schaad
costume assistant Camil Krings
technical support Maxim Van Meerhaeghe, Ferre Carronen, Maarten Snoeck
lighting advice Tom Bruwier
with the support of the Flemish Government, National Lottery, City of Ghent, Konekt, the King Baudouin Foundation, Vlaams Cultuurhuis de Brakke Grond
with thanks to Campo and Kaaitheater

Safety first

Julidans adheres to the corona measures in force, as drawn up by the RIVM and the central government. As long as the coronavirus is not yet under control, testing can help make more possible step by step. The national government uses access tests to facilitate social and cultural activities in a safe manner. You may also need a negative test result in addition to your entrance ticket.

In the period prior to the performance, ticket buyers will receive instructions regarding the Covid-19 access policies in effect at the time. They may get several messages, depending on whether the government policy is announced or modified. It is possible that they will receive these mails until just before the start of the performance, so please keep a close eye on your mailbox. Julidans as well as the theatres where the event is staged, may send you these mails.

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