Sign of the times: mad as hell

Internationaal Theater Amsterdam / De Balie
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Sign of the times: mad as hell

Internationaal Theater Amsterdam / De Balie

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“Architecture should evoke strong emotions. A design consists of more than walls and needs to tell a story”. From this vision, the pioneering architect Daniel Libeskind designs iconic buildings for use across the whole world. His striking designs such as the new World Trade Center after 9/11 and the Jewish Museum in Berlin show the anger, violence and sadness of these emotionally charged places. But at the same time, his iconic but controversial buildings and monuments also provoke violent reactions. For instance, his design for the national Holocaust memorial in Amsterdam is encountering fierce opposition. Libeskind will be interviewed by Lex Bohlmeijer.

The young promising architect and researcher Arna Mackic opens the program with an introduction to socially committed architecture.

Actors Hans Kesting and Janni Goslinga (ITA) recite scenes from, among others, The Fountainhead and Falling Man. Actor and theater maker Bo Tarenskeen plays a scene from his play Speer.

Main language: English with recitals in Dutch, for which English surtitles are provided.

Grote Zaal

Duration: 2h, no intermission

Daniel Libeskind

The American-Polish architect Daniel Libeskind was born in 1946 in a Polish ghetto as the son of Holocaust survivors. He studied music in Israel and the United States, but afterwards decided to become an architect. He made his reputation as an architect in 1989, when he was awarded the contract to design the Jewish Museum in Berlin. From that moment on, he has been renewing architecture through his radical designs.

Arna Mackic

Arna Mackic (1988, Bosnia and Herzegovina) is a talented architect and researcher, founder of Studio LA and is head of Architectural Design at the Gerrit Rietveld Academy. She is the author of the book Mortal Cities & Forgotten Monuments. In 2017 she won the Maaskant Prize for Young architects for her search for ‘inclusive architecture’ and new forms of public domain.

Sign of the Times

With Sign of the Times, Internationaal Theater Amsterdam and De Balie explore the social themes of today. In previous episodes, Femke Halsema and Thierry Baudet reflected on political identity, we spoke about the fury of Catalans with ex-President Carles Puigdemont, who fled from Spain, writers Antjie Krog and Kamel Daoud cast a spotlight on the colonial past, and Maaike Meijer and Sylvana Simons examined the ancient taboo on female anger. With Sign of the Times, De Balie and Internationaal Theater Amsterdam want to start the conversation, bring groups of people together and create space for multiple perspectives. Also, or rather in particular, when opinions differ.

Programme makers: Merlijn Geurts & Yoeri Albrecht (De Balie), Johan Reyniers & Wiepke Westbroek (Internationaal Theater Amsterdam).

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Waarom roept de woedende vrouw vaak fellere reacties op dan de woedende man? Aan de vooravond van 100 jaar vrouwenkiesrecht duikt Sign of the Times in het eeuwenoude taboe op vrouwen om boos te zijn en onderzoeken we via theater en gesprek de huidige tijdsgeest. Laten vrouwen zich nog temmen of...

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