A Little Life
No novel has captivated and moved millions of readers during the past few years like A little life by American author Hanya Yanagihara. Ivo van Hove adapted Yanagihara’s novel to theater and created a penetrating performance. Ramsey Nasr won the Louis d'Or (best male performance) for his portrayal of Jude.
Festival Edinburgh International Festival
Location Festival Theatre, Edinburgh
Run time 250 minutes, incl. intermission
Genre Theatre
Language Dutch
A little life
In A little life,
we watch four men over a period of more than thirty years: lawyer Jude,
actor Willem, visual artist JB and architect Malcolm. The story is the
history of their friendship, as they remain closely connected with each
other during the rest of their lives. They develop their careers in the
city where ambition and success are the indicators of a successful life:
New York.
The main character is the introverted Jude. His past is
wrapped in a veil of mystery. Behind the façade of professional
success, he lives with unresolved grief as a result of structural sexual
abuse during his childhood. It has left him with extreme distrust and a
feeling of worthlessness. He finds release in compulsive
automutilation, causing his body to become more and more exhausted.
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How
do you live with trauma and pain? Jude has no family, his friends are
everything to him. Nevertheless, he finds it impossible to share his
past with them. The closer someone gets, the more difficult it is for
him to talk about it. For Jude, openness and surrender are equal to
abuse. In a constellation like that, intimacy becomes an impossible
task. Can friendship provide compensation for the incurred damage? Is it
possible to have a romantic relationship without sex? What is love
actually able to do?
Jude’s friends are facing a dilemma. How can you help someone who doesn’t want to be helped, while realizing you’re not a real friend if you don’t try to help?
Hanya Yanagihara about A little life
‘Ivo and I talked a lot about A little life. He saw the book as an allegory of good and evil. I didn’t see it like that at all. During our first conversation, he talked about his ideas about how he wants to transport the book to the stage. And that is exactly what I’m curious about when someone wants to adapt the book to another art form; how will they use their medium to tell the story. It has to be an interpretation, not a literal translation. The book requires total surrender from the reader. And it will be the same with the play. This is the case with all of Ivo’s work. The stage adaptation of A little life will invite the audience to be humble, attentive and actively involved. The spectator will be challenged. And he will be rewarded. I hope this play will let people see the book in a new light. Maybe I will also see the book differently. Thanks to adaptations like Ivo’s play, the book and its characters are given a much longer life than I originally expected. I consider that a great gift.’
REVIEWS
Financial Times
'Ivo van Hove's production is as gruelling yet compulsive as Hanya Yanagihara's source novel.'
The New York Times
‘A Little Life’ Comes to the Stage. The Audience Can’t Look Away.'
NRC
'Theater in its most glorious form'
Trouw
'Director Ivo van Hove created a powerhouse'
De Standaard
'Thrilling and moving theater'
Behind the scenes
Go backstage at the rehearsal process of A little life and find out how the show is made.
Ivo van Hove was Artistic Director of Internationaal Theater Amsterdam from 2001 to 2023. As stage director, he signed on for numerous ground-breaking and highly acclaimed productions such as The Fountainhead (Ayn Rand) and A Little Life (Hanya Yanagihara), as well as the two Shakespeare marathons Roman Tragedies and Kings of War, with which the ensemble toured around the world. After twenty-two years, Van Hove decided to leave ITA and concentrate on his international directing work. He will also head the Ruhrtriennale as Artistic Director from 2024 to 2026.
In the 24/25 season, his productions of Who Killed My Father (Édouard Louis) and Angels in America (Tony Kushner) will be revived.
Credits
concept and direction Ivo van Hove
based on the novel by Hanya Yanagihara
translation Kitty Pouwels and Josephine Ruitenberg
adaptation Koen Tachelet
dramaturgy Bart Van den Eynde
scenographer, light design Jan Versweyveld
video Mark Thewessen, Jan Versweyveld
music and sounddesign Eric Sleichim
with Marieke Heebink, Maarten Heijmans, Edwin Jonker, Hans Kesting, Majd Mardo, Ramsey Nasr, Bart Slegers, Steven Van Watermeulen
musicians BL!NDMAN [strings]: Stefanie Van Backlé (viool), Marlon Dek (cello),Caroline Denys (viool), Monica Goicea (altviool), Floor Lecoultre (viool), Suzanne Vermeyen (cello), Femke Verstappen (viool), Iteke Wijbenga (altviool)
costumes An D'Huys
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assistant director Daniël 't Hoen
assistant scenographer Bart van Merode
casting advice Hans Kemna
coproducer GREC Festival, Ruhrfestspiele Recklinghausen
private producer Gert-Jan en Corinne van den Bergh, Hendrik Jan ten Have en Gabriëlla de Rooij, Joost en Marcelle Kuiper
production leader Inge Zeilinga
first stage manager Kevin Cuijvers, Sebastiaan Kruijs, Reyer Meeter
stage manager Pepijn van Beek, Bart Coenen, Sander van Elteren, Zinzi Kemper, Stijn van der Leeuw, David Logger, Timo Merkies, Hans Pieksma, Stephan Pot, Dennis van Scheppingen, Erwin Sterk, Mark Thewessen, Jeffrey van Vloten, Ruud de Vos, Jordi Wolswijk, Paul van der Zouwe
hair & make-up Mirjam Venema
photography Jan Versweyveld
publicity Joris van den Ring-Bax
supported by ammodo
