Mystery Sonatas / For Rosa

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05 Nov '22 to 06 Nov '22

Mystery Sonatas / For Rosa

Rosas / Anne Teresa De Keersmaeker / Gli Incogniti / Amandine Beyer
Mystery Sonatas / For Rosa
05 Nov '22 to 06 Nov '22
Rosas / Anne Teresa De Keersmaeker / Gli Incogniti / Amandine Beyer

De Keersmaeker’s oeuvre is full of partnerships with musical compositions, and now she establishes another with the Mystery or Rosary sonatas of Heinrich Ignaz Franz Biber. Written around 1676, the Mystery Sonatas is a musical translation of the fifteen Sacred Mysteries of the life of the Virgin Mary. Composed with the intention of serving a religious practice, these sonatas assisted the recitation of the rosary beads. Just as the rosary is typically divided into three ‘decades’, Biber’s Mysteries are divided into three cycles: five joyful, five sorrowful, and five glorious sonatas.

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Mystery Sonatas / For Rosa


Music and geometry have always been central to the work of Anne Teresa De Keersmaeker. In MysterySonatas / for Rosa, these interests form a bond through a symbol—the rose. With a long history of symbolism in art history and literature, the rose often represents secrecy and mystery. ‘Sub rosa’—Latin for ‘under the rose’—refers to ‘that which is not spoken’, but here we can consider this through the lens of ‘that which is danced’.

Although the music is intrinsically filled with biblical narratives, it is simultaneously an invitation to dance. Found inside are musical dance forms such as gigues, allemandes, and courantes. This dancing nature combined with a cyclical and numerological approach, makes Biber’s work a terrain rich with inspiration for choreography. Similar to other works of De Keersmaeker, a ‘basic phrase’ provides a foundation, this time created through memories of the past.
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In this choreography, roses are not simply at play because of their beauty, but because of their resistance—with every rose comes its thorns. The dancing body, as an individual or a community, becomes an act of resistance, while Biber’s music, rich in virtuosity and narrative, opens a door to it.

Intriguingly, this music enlists the technique ‘scordatura’, where the violin is tuned in a way that what is played according to the score is not what will be heard. This highly virtuosic technique is performed live by violinist Amandine Beyer, along with her ensemble Gli Incogniti. They share the stage with six dancers as they move chronically through the sonatas.

This work is dedicated to women of resistance—Rosa Bonheur, Rosa Luxemburg, Rosa Parks, Rosa Vergaelen, and Rosa, the 15-year-old climate activist who died in the Belgian floodings of 2021.

Credits


choreography Anne Teresa De Keersmaeker
danced by (alternating) Cintia Sebők, Laura Maria Poletti, Mariana Miranda, Sophia Dinkel, Frank Gizycki, Jacob Storer, José Paulo dos Santos, Lav Crnčević, Mamadou Wagué, Rafa Galdino
music Mystery Sonatas, Heinrich Ignaz Franz Biber 
musicians (recording) Gli Incogniti:
Amandine Beyer, violin & music direction
Baldomero Barciela Varela, viola da gamba
Ignacio Laguna Navarro, theorbo and baroque guitar
Francesco Romano, archluth
Anna Fontana, harpsichord and organ
set and lighting design Minna Tiikkainen
rehearsal directors Diane Madden, Cynthia Loemij
costumes Fauve Ryckebusch
research Lieze Eneman, Tessa Hall
technical director Marlies Jacques
artistic coordination and planning Anne Van Aerschot
artistic assistant Martine Lange
tourmanager Bert Debock
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costumes coordinator Alexandra Verschueren 
assisted by Els Van Buggenhout
sewing Emmanuelle Erhart, Martha Verleyen, Ester Manas 
wardrobe Ella De Vos, Ester Manas, Emma Zune, Chiara Mazzarolo
technicians Max Adams, Jonathan Maes, Quentin Maes, Olivier De Groelard, Bram Geldhof, Jan Balfoort, Michael Smets, Wannes De Rydt, Clive Mitchell, Bennert Vancottem, Thomas Vermaercke, Thibault Rottiers, Laurie Sanchez, Klaas Trekker, Gabel Eiben
stagiaire Martha Dewit
production Rosas
coproduction Concertgebouw Brugge, De Munt / La Monnaie (Brussel/Bruxelles), Dance Reflections by Van Cleef & Arpels, Théâtre de la Ville à Paris, Spoleto Festival dei due Mondi
acknowledgements Ester Manas, Steven Fillet, La Fille d'O, Boštjan Antončič, Michaël Pomero, Marie Goudot, Yuika Hashimoto, David Durán

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