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    A Streetcar Named Desire

    ITA / Rebecca Frecknall

    © Fabian Calis

    After sold-out runs in London and New York, the multiple Olivier Award-winning director Rebecca Frecknall brings her adaptation of A Streetcar Named Desire (Tennessee Williams) to Amsterdam in an exclusive remake with ITA.

    In this acclaimed production, created in 2023 at the Almeida Theatre in London and praised as “a seductive, intense revival” (Broadway World) and “a magnetic masterpiece” (Variety), Frecknall dissects the raw core of desire, power and self-destruction. She lays bare the emotional struggle between Blanche DuBois, Stanley Kowalski and Stella with an intensity that is at once physical and heartbreaking.

    'A contemporary study of the shattered female soul' – de Volkskrant ★★★★

    Date
    March 4, 2026 - March 22, 2026
    Duration
    75 min, no interval
    Genre
    Theatre

    A Streetcar Named Desire is an intense and emotionally charged reinterpretation of Tennessee Williams's stage classic. We follow Blanche DuBois (Hannah Hoekstra), a young woman from the decaying American South who is trying to hold on to the last shred of her dignity after losing everything. She seeks shelter with her sister Stella (June Yànez) in New Orleans, who lives with her rough and domineering husband Stanley Kowalski (Minne Koole).

    Frecknall’s Streetcar is a production for a new generation: seductive and dangerously charged, but also unrelenting in its view of masculinity and domestic violence. As The Financial Times wrote: “Frecknall’s production distills the tragedy to a bruising, intensely physical struggle, sweaty with desire, simmering with violence.”

    In this remake the traditional New Orleans jazz makes way for a modern, pulsing soundscape played live on drums. It gives the production a nervous, almost hypnotic tempo. Frecknall also works in moments of stylised, almost dance-like movement and slow motion, which make the fear and despair visible in a physical and direct way. With her characteristic minimalist style and her sharp eye for the vulnerability behind human behaviour, Rebecca Frecknall proves once again that she is one of the most intriguing voices in contemporary theatre.

    Reviews

    de Volkskrant
    ★ ★ ★ ★

    'The searing monologue in which she (Hannah Hoekstra as Blanche) virtuosically and venomously equates Stanley with a caveman is painful, shamefully funny, merciless and breathtaking.'

    Het Parool

    'A visually stunning reinterpretation.'

    Theaterkrant (Critic's choice)

    'Blanche DuBois is played with matchless beauty by Hannah Hoekstra.'

    "Unbalanced minds are far more interesting… there is so much more honesty and poetry in them."

    – Tennessee Williams on characters such as Blanche DuBois in A Streetcar Named Desire

    Rebecca Frecknall

    Rebecca Frecknall is an award-winning British director who has directed both in the United Kingdom and internationally. She is Associate Director at the Almeida Theatre in London. From 2026 she will hold that role at The Old Vic. In 2024 she made her first, very well-received ITA production: Julie. From 2025 Frecknall has been attached to ITA as Ibsen Artist in Residence, supported by the Philip Loubser Foundation. As part of this residency she made The Architect in the 25/26 season: an urgent, contemporary version of the Ibsen classic The Master Builder.

    Her productions are marked by great psychological depth, compelling character development and considerable social and political relevance. Her reinterpretations of classic works effortlessly bring out underlying social themes and in doing so make them searingly topical.

    She directed Cabaret at the Kit Kat Club (winner of seven Olivier Awards, including Best Director and Best Musical Revival 2022, and winner of the Critics' Circle Award for Best Director 2022), and the highly praised productions A Streetcar Named Desire and Summer and Smoke, which both won Olivier Awards for Best Revival and were nominated for the Olivier Award for Best Director. Both productions have also been seen in New York recently.

    © Fee Golin
    © Fabian Calis
    © Fee Golin

    Credits

    by

    Tennessee Williams

    translation

    Janine Brogt

    direction

    Rebecca Frecknall

    scenography

    Madeleine Girling

    costumes

    Merle Hensel

    lighting design

    Lee Curran

    sound design

    Peter Rice

    composer

    Angus MacRae

    fight choreographer

    Jonathan Holby

    this production was originally produced by

    Almeida Theatre, London

    original West End production produced by

    ATG Productions, Almeida Theatre, Gavin Kalin Productions, Wessex Grove, GGRS and LA Media Fund, in association with Rupert Gavin/Mallory Factor, Francesca Moody Productions and Oliver Roth

    with special thanks to

    ATG Productions

    private producers

    Mike Vermeer & Ernst ten Damme and Joost Houtman & Jeffrey Ong

    supported by

    Brook Foundation

    Adhem Kouta

    © Marwan Magroun

    Felix Schellekens

    © Marwan Magroun

    June Yanez

    © Marwan Magroun

    Maria Kraakman

    © Marwan Magroun

    Minne Koole

    Sanne den Hartogh kijkt recht in de camera, met blond haar en een baard, voor een onscherpe achtergrond.
    © Marwan Magroun

    Sanne den Hartogh

    © Fabian Calis

    Hannah Hoekstra

    © Amanda Drost

    Sara Afiba

    Tom Penn

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